Posts categorized ‘Stars’
May 18 09
First of all, I’m shocked at myself for not showcasing this series earlier, especially with my parading Felicia Day around as a ‘web show extraordinaire’ in the past. Along with that, her co-producer has another web series I found recently and watched the first episode of, and it’s great fun as well.
May 14 09
Yes, my link dumps are almost all eclectic, but there’s more than just web show type stuff in this one, but nothing I could categorize under one name that fit it all nicely. Anyway… it’s a pretty light dump this week, but there’s some good stuff in here, I promise. I’ll dispense with the usual sell-you-on-my-post type stuff this time and simply get to it…
Oct 27 08
Alrighty… I think I stop trying to come up with meaningful titles for the topic part of each entry, since most of my posts are so scattered. Hopefully there’s some good stuff in there for you guys though. Anyway…since I didn’t get to it last night, here’s this week’s showcase entry. Gimme the goodies…
Jan 15 08
Alright, I know this is by a fairly known actress and I know she may have had a budget to do it, but that doesn’t cancel out the fact that the same film could definitely be made with no money. Just take a look at the film, there’s very little light, hardly any makeup, the film’s strong points are its intangible ones: the acting and the writing. (The sound effects and the ending only raise the bar). With some dedicated writing time, a few redrafts, and a day of shooting with some actor friends and you’ve got yourself set on the way to a film like this.
I recently saw Angel-A, which stars Rie Rasmussen, and I was surprised to discover it was her at the end of the film, since she looks nothing in that film like she does in Thinning The Herd. That’s partly the costume and makeup, but the acting is definitely there in both parts, separating her characters immensely. The main point I want to make in this post is that good acting, with or without dialog, is one of the key assets in any film. As long as the writing’s good, the acting can pull it through with no budget at all. If someone’s performance shines, it’ll shine out no matter the visual constraints. (Obviously, you’ve got to do your best to help it shine, throw some oil on the flame and the like, make sure it can be seen to start with).
Essentially, the point is this: write a solid script with a basic storyline, a some characters that aren’t too simple (give them habits, dialects, things they like the most and play off those in the dialog or actions with the other characters), and then find someone who can portray that character in the way you like, with their own spin on it as well. Always let the actors take the character to their own level, in addition to fulfilling your needs. They need to be challenged, not typecast and factory-assembled into their characters. That’s destructive to the very nature of acting.
Back to the point, after you’ve written your solid script, and found someone to act, find money if you can, and some kind of light, and something to bounce that light off of (you’ll rarely want the harsh light coming right from the work light you found). Tin foil works great. After that, let the light and the performance shine as your camera rolls and captures the whole thing from the angles you’ve pre-planned due to your careful thoughts on the project (do not leave that part out!)
Rie Rasmussen might have a name in the business; she might be known for doing a good job in her projects; she might even be known for being a sexy bitch; but you can make yourself known by making something with a solid base and the only frills being the talent that brings the idea to the screen. Best of luck, check out the film and send in any of your work you want an article written about!
Sep 30 07
This I found recently on the IzzyVideo blog. It’s a short film, apparently only released on the internet and starring Bill Murray. It was quite funny, very well put together and very watchable. They did a great job on this. Definitely worth checking out. I don’t want to talk much about it to give anything away, but the acting and writing were very good, it had a sort of dryish humor style to it, sort of like Steve Carell, maybe. Whomever it resembles, it’s a great watch. Check it out at the link below and leave plenty of comments.
Sep 13 07
Alright, well this is promoting Grindhouse which is old news (and a brilliant set of movies) but I found the interview with Tarantino to be quite interesting in the sense partly that he’s cooler than I had thought he was, he gets excited and into his ideas when he’s talking about them, just like I do, and he just seems like a more interesting guy than I had first thought. He talks about Grindhouse, Pulp Fiction, a sequel/prequel to Pulp Fiction and his new film he’s writing that’s an epic war movie with a spaghetti western feel. Yea. Tarantino doing an epic WWII movie. I was surprised too, but watch the video, he gets way into that too. It’s an interesting interview with someone who’s very well known among film geeks and filmmakers alike, and who should be admired for his works (at least the ones I’ve seen) and watched for new works in the future.
Also, in AV news, I got my first issue of the magazine studio/monthly today, from the folks at studio/daily who put out an awesome newsletter that always has something interesting in it. The address sticker on the bottom said “BLAKE JOHNSON; MR; ANIMIVIRTUS PRODUCTIONS…” marking the first printed piece of material addressed to my dream production company. So in a way, it’s a reality now, even if only barely. That was my little joy of the day in terms of film. And from what I glimpsed at the table of contents on the cover, it’s a sweet issue with some really cool-sounding stuff inside. I can’t wait to get started reading it!
I also finished writing a short film titled “The Kiss” today, as hopefully part of a series about guys and girls at any age and their relationship attempts, triumphs, travails, and successes. Hopw you guys enjoy the video and are making some sweet headway on whatever projects you’re working on now. Good luck, do some awesome work! (And don’t forget to send it over to Microfilmmaker Mag for critique and praise).